Three distinct but deeply entangled pillars — each approaching the ecological crisis through a different human dimension: expression, inner life, and direct relationship with the living world.
The environmental crisis is not a technical problem. It is a cultural, psychological, and relational one. We have allowed the story of human separation from nature to become so dominant that we have forgotten our most basic truth: we are animals, living on a planet, dependent on the same web of life as every other species.
As the most cognitively advanced species on Earth, we carry a responsibility that no other species can bear — to understand the consequences of our collective behaviour, and to choose differently. IGP exists to make that choice feel possible, meaningful, and urgent.
Our motto — Prosperity and Harmony through Art and Nature (PHAN) — describes our goal as much as our method. We seek to create harmony at two levels simultaneously: harmony with the inner self (through Theatre and Psychology) and harmony with the outer world (through Environment and Nature). These three pillars are how we pursue those two harmonies.
Theatre is the oldest and most powerful technology for shifting collective consciousness. Since the days of Greek tragedy, humans have used performance to process difficult truths, rehearse new behaviours, and build shared understanding of complex moral questions.
IGP uses Theatre in the tradition of Augusto Boal's Theatre of the Oppressed — adapted for the ecological moment. Our audiences are never passive spectators. They are spect-actors who can intervene, redirect, and co-author the narrative in real time.
When a community member steps onto our Forum Theatre stage to replace a character who is destroying a forest, they are not playing. They are practising. And practice changes behaviour.
A scene reaches a crisis point — deforestation, pollution, displacement. Audience members step in to try different responses. The community rehearses change together.
Unannounced performances in markets, parks, and public squares bring ecological narratives into everyday life, without the barrier of a ticketed event.
Community members share personal stories of ecological loss, beauty, or change. Actors play them back immediately — creating collective witnessing and shared meaning.
Age-appropriate ecological drama woven into school curricula. Children learn empathy for other species, systems thinking, and the interdependence of all life.
Performances staged for policymakers and community leaders, using Forum Theatre to test policy decisions in a safe, participative space before real implementation.
"When I stepped onto that stage, I stopped being a spectator of the climate crisis and became a participant in the solution."
The Environment pillar is about direct relationship. Not knowledge about the environment — relationship with it. The difference between knowing that forests are important and standing in one, noticing the quality of the light, the texture of the bark, the sound of the canopy, is the difference between information and transformation.
Plants are not decorations. Soil is not dirt. Rivers are not infrastructure. They are communities of life in their own right — with their own histories, their own intelligences, their own roles in sustaining the web of life we all depend on. Society and culture emerged from nature. They have never left it.
IGP creates programmes that restore this direct relationship — through art, through science, through traditional ecological knowledge, and through simple presence in the living world.
Using soil, leaves, bark, water, and stone as art media — creating works that are made from the environment and speak about it.
Transforming city spaces into living environments — creating islands of biodiversity in the urban landscape.
Learning to see the lives around us — identifying plants, birds, insects, and fungi in urban environments, building a vocabulary of co-inhabitants.
Drawing on traditional ecological knowledge — the wisdom held by communities who have lived in reciprocal relationship with their local environments.
Public art that tells the stories of local ecosystems, vanishing species, and the cultural relationships between people and place.
"When I learned the name of the tree outside my window, I stopped seeing it as background. It became a neighbour."
Prosperity and Harmony through Art and Nature — our motto is our destination. Inner harmony. Outer harmony. For all species, for all people, for this one shared world.